Horn and piano sonata (“Wiener Sonate”) op. 98

António Victorino D' Almeida (1940)

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Horn and piano sonata (“Wiener Sonate”) op. 98

When I call this sonata «Viennese sonata», one can not think it’s some kind of reference to the 2nd Vienna School - that I homage in the Quartet, «Rêve d’un rêve» or, above all, in the 2nd movement of the Viola's Sonata, for instance.

This Sonata is a homage, indeed, but exclusively to the City of Vienna itself; more than that, it is a homage to the verbal expressivity called the Viennese dialect - a rude language, with a touch of primitivism (maybe a barbarism, I should say...) but has also a very paradoxal and rich capacity for expressing tenderness and humor.

There are some situations and feelings that only few languages would articulate so efficiently, with such a greatness and onomatopoeic richness as the «Wiener Dialekt».

As a musical piece, this sonata is dedicated to the musician who played it for the first time: António Costa. But it also comes with an implicit dedication to my very good friend and genius Austrian actor Fritz Muliar (unforgettable creator of the TV character «Brave Soldier Schweik») - a master of communicating through this Viennese dialect...

Maybe it was an utopic wish, but in fact my purpose for this sonata was to be some kind of ‘Viennese Dialect”, creating a symbiosis between “high culture” represented by the piano, and the roughness (touching in its particular way...) of a popular rooted language, by the horn.

That is why you can recognize very often one of the most famous popular songs from the urban Viennese folklore.

António Victorino D’Almeida

 

Listen to an excerpt:

1º Movement

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